Warhol
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| Location | |
|---|---|
| Community Centre | Available |
Browse Related Items
| Subject |
| Warhol, Andy, 1928-1987. Artists > United States > Biography. |
| Genre |
| Biographies. |
- ISBN: 9780062298393
- Physical Description 961 pages : illustrations (some color) ; 25 cm
- Edition First edition.
- Publisher [Place of publication not identified] : [publisher not identified], 2020.
Content descriptions
| Bibliography, etc. Note: | Includes bibliographical references and index. |
Additional Information
Warhol
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Table of Contents
Warhol
| Section | Section Description | Page Number |
|---|---|---|
| Prelude: Death | p. 1 | |
| Chapter 1 | (1938-1934) | p. 5 |
| Birth | Pittsburgh | Carpatho-Rusyns | Church | ||
| Chapter 2 | (1934-1945) | p. 21 |
| Family Life | School | Illness | The Carnegie Institute | Schenley High | College Bound | ||
| Chapter 3 | (1945-1947) | p. 41 |
| Fine Arts at Carnegie Tech | Classmates and Teachers | A Dose of Failure | Window Dressing | Gay Life and Its Dangers | Artistic Role Models | ||
| Chapter 4 | (1947-1949) | p. 65 |
| Dada and Film at Tech | Outlines Gallery and the Avant-Garde | Star Student | Origins of the Blotted Line | New York Horizons | ||
| Chapter 5 | (1949) | p. 83 |
| First New York Digs and Contracts | Fashion Magazines, Record Covers, Book Jackets | ||
| Chapter 6 | (1949-1951) | p. 93 |
| Franziska Boas and the Bohemian Life | A Starving-Artist Commune | Tommy Jackson and a First Flirtation | Living Solo and Hunting for Work | ||
| Chapter 7 | (1951-1952) | p. 111 |
| New Luxuries | Otto Fenn | Stalking Capote | Julia Warhola Arrives | Commercial Success | Whimsical Chapbooks | ||
| Chapter 8 | (1952-1954) | p. 131 |
| Hugo Gallery and an Homage to Capote | To Lower Lexington | The Cats | The First Boyfriend | The First Wig | ||
| Chapter 9 | (1954-1955) | p. 145 |
| Serendipity Café | Coloring Parties | Camp | The Loft Gallery | ||
| Chapter 10 | (1955-1956) | p. 155 |
| Window Display | Shoes Shoes Shoes | Nathan Gluck Arrives | The Bodley Gallery | ||
| Chapter 11 | (1956-1959) | p. 171 |
| Generosity | Charles Lisanby | The World Tour | Compulsive Shopping | Edward Wallowitch | Ray Johnson | The Foot Book | A Silver Decor for the Theater | 1,000 Names and Where to Drop Them | ||
| Chapter 12 | (1960-1961) | p. 193 |
| The New Town House | Illness | Art Collecting | Judson Church Performances | Emile de Antonio | The Threat of Photography | An Art-Market Boom | ||
| Chapter 13 | (1961) | p. 209 |
| Window Props Become Pop Art | Yves Klein | Ivan Karp and Henry Geldzahler Visit the Studio | ||
| Chapter 14 | (1961-1962) | p. 233 |
| Youth Culture | Faux Innocence | The Critical Reception of Pop | ||
| Chapter 15 | (1962) | p. 247 |
| Warhol, a "New Talent" | Hunt for a Gallery | Painting Money | Soup Cans in Los Angeles | Martha Jackson Cancels a Show | The Stable Gallery Steps Up | ||
| Chapter 16 | (1962) | p. 267 |
| Birth of the Silkscreen | Liz Taylor and Baseball | "New Realists" and the Launch of Pop | Marilyn at the Stable | ||
| Chapter 17 | (1963) | p. 289 |
| The Firehouse | Death and Disasters | Costumes for The Beast in Me | Photo Booth Portraits | A Portrait of Ethel Scull | Mona Lisa | ||
| Chapter 18 | (1963) | p. 305 |
| Gerard Malanga Starts Work | Downtown Poets | Amphetamines | Downtown Filmmakers | Home Movies with Jack Smith in Old Lyme | John Giorno in Sleep | Kiss | The Put-On | ||
| Chapter 19 | (1963) | p. 329 |
| Elvis and Liz in Los Angeles | Driving to L.A. | Hollywood Reception and Marcel Duchamp | Taylor Mead and Naomi Levine in Tarzan | Mourning J.F.K. | Jackie | The Haircuts | ||
| Chapter 20 | (1964) | p. 353 |
| Finding the Factory | Screen Tests | Billy Name | The Factory, Silvered | Boxes at the Stable Gallery | ||
| Chapter 21 | (1964) | p. 371 |
| The First Factory Party | Most Wanted Men for the World's Fair | A Raunchy Couch and Blow Job | The Empire State Building, Observed | Flowers | ||
| Chapter 22 | (1964) | p. 391 |
| From Eleanor Ward to Leo Castelli | Stipend Stability | Baby Jane Holzer, Girl of the Year | Soap Opera | Pop Goes Mainstream | ||
| Chapter 23 | (1965) | p. 405 |
| An Anti-Christmas Tree | Film Accolades | Speed Freaks | Henry Geldzahler Smokes a Cigar | Philip Fagan, First of the Live-in Lovers | 30 Films in One Year | Movies and the Death of Painting | ||
| Chapter 24 | (1965) | p. 425 |
| Edie Sedgwick | To Paris with Friends | Superstardom | Andy and Edie, Fashion Twins | The Striped Shirt | The Birth of Video Art: Outer and Inner Space | Warhol Fan Clubs | A Celebrity, At Last | ||
| Chapter 25 | (1965) | p. 445 |
| Factory Rivalries | New Arrivals: Paul Morrissey, Brigid Berlin, Bibbe Hansen | Too Many Parties | My Hustler | Danny Williams Moves In, Then Out | ||
| Chapter 26 | (1965) | p. 463 |
| Andymania at the Philadelphia I.C.A. | Warhol Sculpts His Persona | ||
| Chapter 27 | (1966) | p. 479 |
| The Velvet Underground | Rocking a Dinner for Shrinks | Fall of Edie, Rise of Ingrid Superstar | ||
| Chapter 28 | (1966) | p. 493 |
| The Exploding Plastic Inevitable | New Warholians: Mary Woronov, Susan Bottomry, Susan Pile | The End of Illustration | Money Worries, and Hopes | A Velvet Underground Album | ||
| Chapter 29 | (1966) | p. 507 |
| Silver Clouds and Wallpaper Cows | Julia Warhola at Home, and Ailing | Richard Rheem Moves In, Then Out | ||
| Chapter 30 | (1966) | p. 519 |
| Repetition as an Art Supply | A Portrait of Holly Solomon | Clouds and Cows Cross the Country | A Boston Retrospective | The Velvets on Tour | "You're In" Perfume | Jane Heir, A Failed Feature Film | The Birth of Chelsea Girls | ||
| Chapter 31 | (1967) | p. 539 |
| Max's Kansas City | Flesh on Film: Bike Boy and Nude Restaurant | A Crumbling Factory | Rod La Rod | The Andy Warhol Story | Superstar Russian Roulette | ||
| Chapter 32 | (1967) | p. 553 |
| Dead-End Art | Prints, A New Income Stream | Chelsea Girls Goes National, and to Cannes | Thirteen Most Wanted Men in Paris | End of the Velvets | ||
| Chapter 33 | (1967) | p. 567 |
| Four Stars-25 Hours of Film | a: a novel-24 Hours of Talk | Andy Warhol's Index (Book) | A Fake Lecture Tour | Exit Gerard Malanga | The Silver Factory Shuts Down | ||
| Chapter 34 | (1968) | p. 587 |
| A New Studio on Union Square | Lonesome Cowboys in Arizona | Order Replaces Chaos | Last of the Factory Crowd | Fancy Fred Hughes | A Survey in Sweden | ||
| Chapter 35 | (1968) | p. 609 |
| Valerie Solanas | SCUM Manifesto | I, a Man | The Shooting | The Hospital | The Arrest | ||
| Chapter 36 | (1968) | p. 625 |
| Recovery | Security at the Studio | Midnight Cowboy | Solanas and the Feminists | Flesh and the Business of Film | New (Super-)Stars: Joe Dallesandro and a Transgendered Trio | ||
| Chapter 37 | (1968) | p. 641 |
| Home from the Hospital | Editing Lonesome Cowboys | 100 Happy Rockefellers | Julia in Decline | Jed Johnson Moves In | Back in the Saddle but Still Sore | Pat Hackett, Ultimate Ghostwriter | Hospital Bills, Lawsuits and Rubber Checks | Profitable Portraits | ||
| Chapter 38 | (1968-1969) | p. 663 |
| Fuck, A Blue Movie | Forays into Conceptualism: Vacuum Cleaners and Superstars for Rent | "Raid the Icebox" and the Museum as Art | Floating Chairs and Rain Machines | Video Ventures | A Sundae for Schrafft's | ||
| Chapter 39 | (1969) | p. 685 |
| Valerie Solanas Gets Out | More Surgery | Rolling Stones Album Covers | Hollywood Film Plans Collapse (Twice) | Gerard Malanga's "Male Parade" | The Birth of Interview | Business Art, the Next Step After Art | Frozen Foods at the Andy-Mat | ||
| Chapter 40 | (1970-1971) | p. 709 |
| A Warhol Retrospective (Again) | Bob Colacello and Vincent Fremont Come on Board | Andy Warhol, Super-Shopper | New Patrons: Sandy and Peter Brant | L'Amour and Its Crowd | VIP Living | Failures in Theater: Andy Warhol's Pork and Man on the Moon | ||
| Chapter 41 | (1971-1972) | p. 729 |
| Financial Fiddling | Fine Cars and Real Estate | Country Life and Celebrity Renters: Lee Radziwill and the Kennedy Kids, Mick and Bianca Jagger | ||
| Chapter 42 | (1972-1973) | p. 739 |
| Julia Warhola Heads Home to Die | Chairman Mao and the Un-Death of Painting | Biting into Europe's Upper Crust | The Polaroid Big Shot, for Big Shots | Gallstone Warning | Frankenstein and Dracula in Rome | With Warhol, Liz Taylor is in The Driver's Seat | ||
| Chapter 43 | (1974) | p. 761 |
| Warhol Headquarters in Paris | Interview, Fashion and Society | Halston and Glamour | The Bent Genders of Ladies and Cattlemen | The Philosophy of Andy Warhol (and of His Ghostwriters) | POPism, a (Non-)Autobiography | ||
| Chapter 44 | (1974-1975) | p. 783 |
| A New Home | Jed Johnson Decorates | Return of Brigid Berlin | Time Capsules and the Fine Art of Junk | Highborn Interns | A Rolls-Royce to the Diamond District | The Interview Lunch and Its Prey | ||
| Chapter 45 | (1975-1977) | p. 803 |
| Portrait Prey: Iranian Royals and Imelda Marcos | At the White House with Gerald Ford | In Georgia with Jimmy Carter | Commercial Art: Athletes, Pets, Cars and Houses | Victor Hugo and the Nude as Landscape | Piss Paintings | ||
| Chapter 46 | (1977-19SO) | p. 819 |
| Studio 54 | Shadow Paintings | Portraits at the Whitney | Bad, the Last Movie | Jed Johnson Leaves | ||
| Chapter 47 | (1981) | p. 837 |
| Warhol the Model | Exposures: A Social Life | Ronald Feldman's Business Propositions | Outsourcing to Rupert Smith | ||
| Chapter 48 | (1982-1983) | p. 853 |
| The New Art Kids | Warhol and Basquiat | Rorschach Paintings | Shopping and Collecting | ||
| Chapter 49 | (1982-1986) | p. 871 |
| The ConEd Studio | Andy Warhol TV | Tensions with Fred Hughes | Ad Work | The Love Boat | Camouflage Paintings | Jon Gould | AIDS | Warhol's Charity | ||
| Chapter 50 | (1986-1987) | p. 897 |
| Crystal Therapy | Last Suppers in Milan | Stitched Photos | The Last Runway | Gallbladder Trouble | The Fatal Surgery | ||
| Postlude: Afterlife | p. 911 | |
| A Note on Sources | p. 913 | |
| Acknowledgments | p. 919 | |
| Credits | p. 923 | |
| Index | p. 929 |
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