If anything about this sounds familiar, that might be because you may have already come across the TEDxEuston talk of the same name, presented by Adichie in December 2012 and widely circulated. Think of that as a highly successful test run, and consider investing the mere 45 minutes to listen to Adichie (again) in this extended version as she explains why she is a "Happy African Feminist Who Does Not Hate Men and Who Likes To Wear Lip Gloss and High Heels for Herself and Not for Men." Adichie's tone seems light, and she uses ironic humor brilliantly throughout-how a childhood friend first called her a feminist at age 14 in "the same tone with which a person would say, 'You're a supporter of terrorism.'" But she doesn't shy away from getting angry, dismantling stereotypes, exposing inequity, and demanding change. Adichie's own definition of a feminist is simply empowering: "a man or a woman who says, 'Yes, there's a problem with gender as it is today, and we must fix it, we must do better.'" VERDICT Libraries aware of Adichie's global popularity will surely want to spread her concise, common-sense, inclusive feminism.-Terry Hong, Smithsonian BookDragon, Washington, DC © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Its tough to imagine anyone other than Adichie narrating the audio edition of her feminist manifesto, which originated as a TED Talk and was later adapted into a book. Many listeners will recognize the Nigerian writer's voice and words from pop star Beyoncé's song "Flawless," which featured sound bites from Adichie's original speech. Here, those sound bites are put into context and given weight as Adichie lays out her creed. Her voice is both gentle and confident as she takes listeners through the deeply conditioned sexism she has encountered, beginning with her encounters with the label "feminist" growing up and drawing on her own experiences as well as those of other women in her life. She coolly relays the story of a woman in Nigeria who decided to sell her house because she didn't want to intimidate a man who might want to marry her, followed by another story of an unmarried woman who wears a wedding ring to conferences so that her colleagues show her more respect. Adichie presents these anecdotes in a deliberate, matter-of-fact style. She keeps heightened emotions and urgency out of her voice, instead making use of poignant pauses to let what is she is saying sink in. It's a powerful message, recorded in a way that will make people listen again and again. A Vintage paperback. (Feb.) © Copyright PWxyz, LLC. All rights reserved.

An enchanting plea by the award-winning Nigerian novelist to channel anger about gender inequality into positive change. Employing personal experience in her examination of "the specific and particular problem of gender," National Book Critics Circle winner Adichie (Americanah, 2013, etc.) gently and effectively brings the argument about whether feminism is still relevant to an accessible level for all readers. An edited version of a 2012 TEDxEuston talk she delivered, this brief essay moves from the personal to the general. The author discusses how she was treated as a second-class citizen back home in Nigeria (walking into a hotel and being taken for a sex worker; shut out of even family meetings, in which only the male members participate) and suggests new ways of socialization for both girls and boys (e.g., teaching both to cook). Adichie assumes most of her readers are like her "brilliant, progressive" friend Louis, who insists that women were discriminated against in the past but that "[e]verything is fine now for women." Yet when actively confronted by an instance of gender biasthe parking attendant thanked Louis for the tip, although Adichie had been the one to give itLouis had to recognize that men still don't recognize a woman's full equality in society. The example from her childhood at school in Nigeria is perhaps the most poignant, demonstrating how insidious and entrenched gender bias is and how damaging it is to the tender psyches of young people: The primary teacher enforced an arbitrary rule ("she assumed it was obvious") that the class monitor had to be a boy, even though the then-9-year-old author had earned the privilege by winning the highest grade in the class. Adichie makes her arguments quietly but skillfully. A moving essay that should find its way into the hands of all students and teachers to provoke new conversation and awareness. Copyright Kirkus Reviews, used with permission.

A personal essay adapted from the writer's TEDx talk of the same name. Adichie, celebrated author of the acclaimed Americanah (Knopf, 2013), offers a more inclusive definition of feminism, one that strives to highlight and embrace a wide range of people and experiences. Drawing on anecdotes from her adolescence and adult life, Adichie attempts to strike down stereotypes and unpack the baggage usually associated with the term. She argues that an emphasis on feminism is necessary because to focus only on the general "human rights" is "to deny the specific and particular problem of gender. It would be a way of pretending that it was not women who have, for centuries, been excluded." Her focus on women of color is also an aspect of the movement that hasn't always been given its due, and Adichie works in her own experience and life as a feminist within a more conservative Nigerian culture in an organic and eye-opening way. She also points to examples in Nigeria that are unfortunately universal: a young woman who is gang-raped at a university and is then vilified and blamed for the crime, which, unfortunately, happens often in the United States. Injustices such as these, she posits, are reasons enough to be angry and outspoken. The humorous and insightful tone will engage teens and give them an accessible entry point into gender studies. This title would also work well as a discussion starter in debate and speech classes. VERDICT An eloquent, stirring must-read for budding and reluctant feminists.-Shelley Diaz, School Library Journal © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.