The sentence is death : a novel
You shouldn't be here. It's too late..." These, heard over the phone, were the last recorded words of successful celebrity-divorce lawyer Richard Pryce, found bludgeoned to death in his bachelor pad with a bottle of wine--a 1982 Chateau Lafite worth £3,000, to be precise. Odd, considering he didn't drink. Why this bottle? And why those words? And why was a three-digit number painted on the wall by the killer? And, most importantly, which of the man's many, many enemies did the deed? Baffled, the police are forced to bring in Private Investigator Daniel Hawthorne and his sidekick, the author Anthony, who's really getting rather good at this murder investigation business. But as Hawthorne takes on the case with characteristic relish, it becomes clear that he, too, has secrets to hide. As our reluctant narrator becomes ever more embroiled in the case, he realizes that these secrets must be exposed--even at the risk of death...
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Subject |
Private investigators > Fiction. Authors > Fiction. Murder > Investigation > Fiction. |
Genre |
Detective and mystery fiction. |
- ISBN: 9781443455510
- Physical Description 373 pages ; 24 cm
- Edition First U.S. edition.
- Publisher [Place of publication not identified] : [publisher not identified], 2019.
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Summary
The Sentence Is Death : A Novel
New York Times-bestselling author Anthony Horowitz and eccentric detective Daniel Hawthorne team up again in a new mystery--the sequel to the brilliantly inventive The Word Is Murder--to delve deep into the killing of a high-profile divorce lawyer and the death, only a day earlier, of his one-time friend "You shouldn't be here. It's too late . . . " Heard over the phone, these are the last recorded words of successful celebrity-divorce lawyer Richard Pryce, found bludgeoned to death with a bottle of wine--a 1982 Château Lafite worth £2,000, to be precise--in his bachelor pad. Odd, considering Pryce didn't drink. Why this bottle? And why those words? And why was a three-digit number painted on his wall? And, most important, which of the victim's many, many enemies did the deed? Baffled, the police are forced to bring in private investigator Daniel Hawthorne and his sidekick, the author Anthony, who's getting rather good at this murder investigation business. But as Hawthorne takes on the case with characteristic relish, it becomes clear that he, too, has secrets to hide. As our reluctant narrator becomes ever more embroiled in the case, he realizes that these secrets must be exposed--even at the risk of death . . .