Croll introduces women throughout history who have chosen their clothes in order to manage their public images, explore their identities, or rebel against societal expectations. Each chapter discusses one woman at length, along with single- or multi-page articles on three others. Cleopatra is profiled as a ruler who dressed to please her subjects with sartorial references to Egyptian goddesses and to impress all with her regal appearance. Related three-page articles discuss Queen Elizabeth I and activist Angela Davis, and a single page presents the Empress Dowager Cixi. The chapter on Frida Kahlo's life and her use of traditional Mexican clothing includes spotlights on Miuccia Prada, Elsa Schiaparelli, and M.I.A. While the short articles sometimes interrupt the flow of the longer features, readers attuned to fashion will find plenty of intriguing ideas here, written in an engaging style and illustrated with colorful, styled digital art as well as reproductions of period paintings, archival photos, and publicity shots. From gender-bending clothing to anti-fashion, here's an entertaining, informative, and often edgy look at who wears what and why.--Phelan, Carolyn Copyright 2016 Booklist

Gr 7 Up-The 40-plus "style rebels" past and present run the gamut from cheeky to outrageous to murderous, but the book's focus is on how these women used fashion to defy society and make their mark on the world. Queens (Cleopatra, Elizabeth I, Marie Antoinette), designers (Coco Chanel, Rei Kawakubo, Rose Bertin), artists (Cindy Sherman, Frida Kahlo), performers (Lady Gaga, Kathleen Hanna, Rihanna), writers and editors (George Sand, Anna Wintour), and even political dissenters (Pussy Riot) enter the spotlight for a few pages, then cede to the next "bad girl." The layouts are somewhat confusing; "Fashion Spotlights" featuring other bad girls are interspersed among the pages covering the main subjects, and sidebars about social and cultural events pop up in odd spots. While Buchholc's hand-drawn illustrations are charming, other art verges on clip art territory. An interesting choice in this mostly chronological presentation is the omission of death dates for its subjects, comical in the case of long-dead rulers and would-be monarchs such as Wallis Simpson, but more serious in other instances, such as the case of fashion stylist Isabella Blow, who took her own life in 2007. The ensuing narratives do mention the women's deaths, but having that information up front would be more accessible. "Iconic Look" sidebars about the subject or her era give author and illustrator a chance to shine. VERDICT This is a good, if somewhat scattered, launching pad for beginner rebels and women's history buffs.-Liz French, Library Journal © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.