This compelling and thought-provoking novel seeks to understand what might have motivated the young people who joined Charles Manson's murderous cult in the 1960s, and how they were drawn under his spell. In this fictional account, middle-aged Evie looks back on the life-changing summer when she was 14, upset at her parents' divorce, and feeling neglected and insecure. Enter Suzanne, a wild and mesmerizing older girl who draws Evie into the hippie commune/cult led by charismatic and fanatical Russell Hadrick. Reader McClain is phenomenal, evoking the older Evie's mature retrospection and struggle to analyze her own emotional state and the motivations of that tumultuous time, as well as the younger Evie's yearning for acceptance and love and adventure. McClain also creates authentic, memorable voices for the other characters, including the lazy drawl of Suzanne and the seductive madness of Russell. A perfect marriage of text and narrator, this is the kind of audiobook that stays in your mind long after it's finished. A Random House hardcover. (June) © Copyright PWxyz, LLC. All rights reserved.

BOYS AMONG MEN: How the Prep-to-Pro Generation Redefined the NBA and Sparked a Basketball Revolution, by Jonathan Abrams. (Three Rivers, $16.) Abrams, a former Grantland writer, profiles the players, both successful and less so, who joined the league directly from high school. Some of the sport's biggest stars followed this path between 1995 and 2005, including Kobe Bryant, LeBron James and Kevin Garnett. THE GIRLS, by Emma Cline. (Random House, $17.)When Evie - 14, adriftand overlooked - encounters a group of enviable older girls in the late 1960s, she is soon drawn into a Charles Manson-like cult replete with squalor and sexual abuse. But rather than the group's charismatic leader, the object of Evie's obsession is Suzanne, a woman modeled on a reallife Manson devotee. THE BONJOUR EFFECT: The Secret Codes of French Conversation Revealed, by Julie Barlow and Jean-Benoit Nadeau. (St. Martin's Griffin, $16.99.) As expatriates living in France, the authors learned firsthand the importance of cultural fluency. They approach their subject with anthropological eyes, focusing on the unseen rules that govern French speech: from the layered meanings of non to the art and ritual of dinnertime discussions. ANATOMY OF A SOLDIER, by Harry Parker. (Vintage, $17.) The story of Capt. Tom Barnes, a fictional British soldier in Afghanistan, is told from the perspectives of inanimate objects that surround him: a prosthetic limb, a tourniquet, dog tags. The fragmentary style of the novel suits its subject: Barnes was gravely injured during the conflict. As our reviewer, Benjamin Busch, put it, such narrators are "witness to a single casualty, their multiple perspectives finally forming a gestalt view of a soldier's journey from mutilation to recovery." STREET OF ETERNAL HAPPINESS: Big City Dreams Along a Shanghai Road, by Rob Schmitz. (Broadway, $16.) Schmitz, an NPR correspondent based in China, offers a multigenerational portrait of his neighborhood, a former colonial and expatriate stronghold, using the stories of its residents: a struggling restaurateur, an elderly couple, a migrant worker. COMMONWEALTH, by Ann Patchett. (Harper Perennial, $16.99.) A betrayal - an extramarital kiss at a christening - sets in motion the joining and unraveling of the Keating and Cousins families over the decades, with Patchett's novel following the stepsiblings over 50 years. "In delineating the casual blend of irritation and unsentimental affection among family members of all ages, Patchett excels," our reviewer, Curtis Sittenfeld, wrote.

An award-winning young author uses Charles Manson and his followers as the inspiration for her first novel. Evie Boyd is in a city park the first time she sees the girls. With their bare feet and long hair and secondhand dresses they offer a vision of life beyond her suburban, upper-middle-class experience. "Like royalty in exile," they suggest the possibility of another world, a world separate from the wreckage of her parents' marriage, from the exacting lessons gleaned from teen magazines, from the unending effort of trying to be appealing. What 14-year-old Evie can't see that day is that these girls aren't any freer than she is. Shifting between the present and the summer of 1969, this novel explores the bitter dregs of 1960s counterculture. Narrating from middle age, Evielike the readerknows what's going to happen. But Evie has had decades to analyze what she did and what was done to her, and Cline peoples her version of this oft-examined story with carefully crafted characters. The star in Evie's solar system isn't Russell, the Manson stand-in. Instead, it's Suzanne, the young woman who becomes Evie's surrogate mother, sister, lover, andfinallyprotector. This book is, among other things, a love story. Cline makes old news fresh, but she also succumbs to an MFA's fondness for strenuously inventive language: "Donna spooked her hands dreamily." "The words slit with scientific desire." "I felt the night churn in me like a wheel." These metaphors are more baffling than illuminating. And Evie's conclusion that patriarchal culture might turn any girl deadly feels powerfully true at first but less so upon reflection. Suzanne and her accomplices don't turn on their oppressor like righteous Maenads; instead, they sacrifice themselves on his behalf. And there's also the simple fact that very few girls become mass murderers. Vivid and ambitious. Copyright Kirkus Reviews, used with permission.

*Starred Review* Bored teenager Evie Boyd is mesmerized by a young woman she spots wandering through a park one summer afternoon. It's 1969 in Petaluma, California, and Suzanne represents the glamour of the counterculture to lonely Evie, whose newly divorced mother dabbles in the watered-down, pseudo-hippie trends typical of the era. A second encounter brings Evie firmly into Suzanne's orbit and introduces Evie to a family of hangers-on surrounding Russell, a charismatic musician who holds court at a dilapidated ranch just outside town. Soon Evie is spending her free time at the ranch, dumpster-diving for food, getting high with her new friends, and buying into Russell's philosophies of free love and communal living. But there's a darker side to life at the ranch, and hard drugs and isolation begin to feed the family's paranoia, leading to a devastating, violent act. Using the Manson family and the Tate-LaBianca murders as her template, Cline pushes past the myths, vividly imagining how the darkness crept in and turned a group of idealistic young adults into cold-blooded killers. In her impressive debut, Cline illuminates the darkest truths of a girl's coming-of-age, telling a story that is familiar on multiple levels in a unique and compelling way.--Donohue, Nanette Copyright 2016 Booklist

It is the summer of 1969 in Northern California, and 14-year-old Evie Boyd is bored and lonely. Ignored by her recently divorced parents and alienated from her friend -Connie, Evie is intrigued by a trio of hippie girls she spots in a local park, studying them "with a shameless, blatant gape." Their dirty smock dresses, long uncombed hair, and careless independent manner are so different from Evie's own neat and tidy childish world, and she longs to be accepted by them, especially by cool, otherworldly -Suzanne. Edie starts small, offering to shoplift toilet paper and then stealing money from her preoccupied mother to impress Suzanne and Russell, the girls' charismatic leader. Before long, she is hanging out at the group's rundown communal ranch in the hills, feeling for the first time that she's part of a family-even though this "family" happens to be a cult that will soon be making headlines in the most horrific way. VERDICT Although inspired by the infamous Charles Manson murders, Cline's impressive debut is more a harrowing coming-of-age exploration of how far a young girl will go (and how much she will give up of herself) in her desperate quest to belong. Beautifully written and unforgettable. [See Prepub Alert, 1/4/16; -"Editors' Spring Picks," LJ 2/15/16, p. 32.]-Wilda Williams, Library Journal © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.