Robuck follows her portrait of Zelda and Scott Fitzgerald's turbulent marriage (Call me Zelda, 2013) with another stormy literary portraitEdna St. Vincent Millay and her relationships with both men and women. In this novel, the narrative voices are presented antiphonally, alternating between Millay (called by her nickname, "Vincent") and Laura Kelley, owner of a dress shop in the small town near Millay's Steepletop estate. In 1928, when the novel opens, Millay is already an established poet and in an open marriage with wealthy Dutch businessman Eugen Boissevainthough "open" is perhaps an understatement: Both Millay and her husband encourage each other to take on lovers, and for Millay, this meant women as well, including the poet Elinor Wylie. In contrast, Kelley has had one brief sexual escapade, on her 19th birthday, and now, as a single mother, is raising her daughter, Grace, in a small and generally unforgiving small town near Steepletop. While Kelley is struggling to survive economically, especially once the townspeople turn their backs on her, Millay and Eugen live a profligate and free-spirited life with friends and lovers. One day, Eugen spots Kelley and knows instinctively that Millay would enjoy wooing her, and much of the rest of the novel is taken up by Millay's advances, sometimes subtle and sometimes conspicuous. Although Kelley, whose brother-in-law has already been seduced by Millay, is not ready to engage in even more scandalous behavior, Millay is a source of lucrative dress orders that Laura finds hard to turn down. So they play an amatory game of cat-and-mouse. But for as captivating as Millay can be, her relationship with Eugen lacks drama, rendering the book less compelling than Robuck's earlier portrayal of Zelda and Scott. Well-written and insightful, with Millay in particular a fascinatingly complex character.]] Copyright Kirkus Reviews, used with permission.

In her fourth novel, Robuck weaves together two distinct narratives the harrowing account of small-town seamstress Laura Kelley and the fiery escapades of famed poetess Edna St. Vincent Millay, where Robuck's own voice comes most alive. The story begins amid the backdrop of 1928 New York with Laura, her lover, and the Ziegfeld Follies. Beguiled by the glamour and costume of Broadway and the passionate pangs of first love, Laura takes a chance that forever changes her life. Simultaneously, Vincie, restless from the frivolity and unreciprocated romance that accompany her notoriety, searches high and low for her next great muse. Two women on the edge Laura both the core of town gossip as well as its drudging outcast; Vincie the detached inhabitant of the infamous Steepletop are inevitably brought together by their artistic loves: Laura's for costume design; Vincie's for poetry. Through love and letdown, inspiration and hardship, and sisterhood and rivalry, both Laura and Vincie come to know the blazing beauty that sometimes sparks from even the greatest of mistakes.--Shemroske, Briana Copyright 2010 Booklist

Pulitzer Prize-winning poet Edna St. Vincent Millay was a tragically beautiful figure of the Jazz Age, and in Robuck's latest historical novel, Millay becomes a foil for her fictional protagonist. Edna, who enjoys wild parties and sexual trysts, has fallen for Laura, a quiet seamstress living in a small New York town near Millay's Berkshire estate, Steepletop. After having a daughter out of wedlock, Laura constantly frets over how she is viewed by the townspeople. Her desire to placate others keeps her from befriending the reckless poet and pursuing new romances, despite her personal longings. When Edna asks Laura to sew the costumes for her upcoming reading tour, the young mother must decide whom to please, herself or others. Verdict Fans of Robuck's Hemingway's Girl and Call Me Zelda will notice a similar narrative device, a fictional woman's connection to a historical literary figure. Here readers form an immediate intimacy with both Laura and the poet because their individual narratives are woven into a single story. Full of drama with every turn of the page, this compelling novel will delight fans of romance, historical fiction, or women's fiction.-Shannon Marie Robinson, Denison Univ. Lib., Granville, OH (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.