In Hope's debut novel, the second anniversary of Armistice Day (November 11, 1918) is approaching, but the wounds caused by the war are far from healed in the lives of her three protagonists. Ada's inability to let go of her dead son is causing her marriage to fail, Evelyn has allowed the loss of her husband to harden her heart, and Hettie is frustrated by her brother's "shell shock," which keeps him from financially supporting her family. The three women's stories are interspersed with scenes describing the journey of the body of the English "Unknown Soldier" from a field in France to Westminster Abbey. -VERDICT This is a moving read about the emotional paralysis caused by grief and uncertainty. Hope creates three very different main characters who are all sympathetic, even in their worst moments, and each completes a believable emotional journey over the course of the book. The inclusion of the Unknown Soldier allows for a satisfying resolution that acknowledges the importance of memorializing the dead even as the protagonists finally begin to imagine new beginnings for themselves. [See Prepub Alert, 8/26/13.] (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Wake is skillfully written from the outset, though the initial premise doesn't feel especially groundbreaking: in post-WWI London, three ordinary women cope with their stagnant lives. Hettie partners single men at a Hammersmith dance hall to support her mother and shell-shocked brother, upper-class Evelyn works as a pension clerk while mourning her lover, and Ada can't move past her soldier son's death. Hope then proceeds to color in their personal histories, revealing the distinctiveness of each character and situation over five days, during the lead-up to the unveiling of the Unknown Warrior's tomb in Westminster Abbey. As their circumstances change and new people enter their lives, the women are spurred to action. Likewise, as these characters' stories and others' are intermixed, readers will be flipping pages to discover their tragic connection. The background details are vivid, from a crowded West End jazz club to the trenches of northern France, both in 1920 and earlier. This increasingly riveting novel about war's futility, grief, remembrance, and renewal is a solid effort timed just right for the WWI centenary.--Johnson, Sarah Copyright 2010 Booklist

The echoes of warfare reverberate through an evocative debut which considers the lasting impact of military carnage on those left to carry on. Grief and anger, shame, silence and the inextinguishable life force are some of the elements captured in Hope's delicate portrait of three women's lives in London in 1920, as the shock waves of World War I subside. While the French countryside starts to reclaim the battlefields, so the wives and mothers, sisters and daughters of the maimed and fallen must continue with their lives. One young woman, Hettie Burns, makes a living as a dance instructor, earning enough to support her unhappy mother and shellshocked brother. Ada Hart is still haunted by the death of her son, Michael, in 1917, whom she glimpses everywhere. And upper-class Evelyn Montfort, bitter after the death of her fiance, tries to find purpose in the drudgery of work. The book's time frame is the five-day period spanning the disinterment, the journey back to England and ceremonial procession to the Westminster Cathedral grave of the Unknown Warrior, during which period the women's lives begin to shift. Using telling detail, Hope creates a vibrant physical and emotional landscape in which her leading characters, and a sea of others, move irresistibly into the future, some having found resolution, others still in search. Fresh, confident, yet understated, Hope's first work movingly revisits immense tragedy while also confirming her own highly promising ability.]] Copyright Kirkus Reviews, used with permission.

Hope's confident, well-crafted debut follows a trio of English women during the grim years after WWI, when no British family was left unscathed. Consequently, the novel is pervaded by a sense of absence and constant aching that underlies the women's need to carry on. Ada, a grieving mother, is consumed by her son's death; Hettie, a dance hall girl, waits resentfully for her shell-shocked brother to find a job; and Evelyn, a worker in a veterans' relief office, takes pride in her ability to bury her emotional self, a quality which keeps her at her desk years after coworkers have quit. Each of the women's lives is defined by loss, and as the book progresses, the stories of their dead and broken men begin to mesh. The overwhelming devastation of the war would be enough to justify the depressive grayness of the book, but Hope darkens the mood further by presenting a single tragedy from several perspectives. Though these characters may not be granted closure, they do get a chance at freedom. (Feb.) (c) Copyright PWxyz, LLC. All rights reserved.

A dust-and-ashes feeling permeates Hope's first novel, which is set in London and its environs in the aftermath of World War I. "Wake" unfolds during the five days leading up to the entombment of the Unknown Warrior - on Nov. 11, 1920, the second anniversary of Armistice Day - as it examines the lives of three Englishwomen who have sustained bitter losses. Intercut with their stories is that of the Unknown Warrior's journey from an unmarked grave in France to the public ceremony that will symbolically honor Britain's fallen. Nineteen-year-old Hettie works six nights a week as a sixpence-a-dance "instructress" at the Hammersmith Palais, a historic ballroom and music hall, to help support her family, impoverished after the death of her father in the influenza epidemic of 1918. Her older brother, who has had "all of the noise and mess and life ... blasted out of him," leaving "only the empty, silent shell," also survives on her paycheck. Evelyn, the daughter of an aristocratic Oxfordshire family, has resigned herself to spinsterhood at age 29, having lost her lover in the war. Now she works in a grim government office, processing payouts to wounded veterans. Ada, a housewife, can't accept the death of her son, Michael, who seems to have disappeared without a trace. Unbeknown to her and her husband, Michael was shot in France as a deserter, the cause of his death never officially acknowledged by the Army, and his parents' inquiries met with bewildering silence. To Ada, the war recalls the gruesome Old Testament stories she remembers from childhood, "as though an order had been issued for all the boys to be killed." Hope's unblinking prose is reminiscent of Vera Brittain's classic memoir "Testament of Youth" in its depiction of the social and emotional fallout, particularly on women, of the Great War. Unlike Brittain, Hope reaches beyond the higher echelons of society to women of different social classes, all linked by their reluctance to bid goodbye to the world the conflict has shattered. ABIGAIL MEISEL teaches at the University of Mississippi's Center for Writing and Rhetoric.