Veteran editors Link and Grant serve up a delicious mix of original stories from 14 skilled writers and artists. Among the many high points: Cassandra Clare's creepy "Some Fortunate Future Day," in which a lonely girl, grown bored with her sentient clockwork dolls, develops a crush on a wounded soldier; Libba Bray's subversively funny "The Last Ride of the Glory Girls," which concerns a girl gang robbing trains and dirigibles on another planet (presumably a future Mars) heavily reminiscent of the Old West; Holly Black's humorous and romantic "Everything Amiable and Obliging," whose heroine, a rich orphan, must deal with her feelings toward her cousin and persuade his sister not to marry her clockwork dance instructor; and M.T. Anderson's magisterial "The Oracle Engine," which explores the political complexities resulting from the Roman Empire's development of a Rube Goldberg-like supercomputer. Chockful of gear-driven automatons, looming dirigibles, and wildly implausible time machines, these often baroque, intensely anachronistic tales should please steampunks of all ages. As the lovelorn, mechanically gifted "hero" of comics artist Shawn Cheng's contribution says, "The world is a machine. Imperfect parts together in a perfect arrangement." Ages 14-up. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved.

Gr 8 Up-Most readers have become familiar with the essential steampunk elements: clockwork automatons, brass goggles, mad scientists, brave adventurers, and Victorian imagery. However, this collection of short stories by some of the best YA authors today, including Libba Bray, Garth Nix, and Cory Doctorow, offers something different and takes the steampunk ethos to a new level. Within these pages, there's a little something for everyone. For the romantic, there is Holly Black's "Everything Amiable and Obliging," in which a clockwork automaton exceeds the bounds of its programming and falls in love with the beautiful daughter of its employer. And for the disillusioned, there is Link's lovely and eerily sad "The Summer People," in which a girl in Appalachia is forced to care for the mysterious inhabitants of an unusual house. M. T. Anderson's "The Oracle Engine" is an alternate version of the story of Crassus of Rome that will delight history buffs. And Dylan Horrocks's "Steam Girl," the story of an unusual girl with steampunk sensibilities in modern times, will resonate with those who feel as though they don't quite belong. Two stories told in comic book format will appeal to graphic-novel fans. There is not a weak story in the bunch. This exceptional anthology does great service to the steampunk subgenre and will do much to further its audience.-Heather M. Campbell, formerly at Philip S. Miller Library, Castle Rock, CO (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Fourteen not-so-short stories, two in graphic novel form, push the boundaries of steampunk. While the authors employ to excellent effect all the typical hallmarks of the genre (i.e., "gaslit alleys, intrepid urchins, steam-powered machines, and technologies that never were"), what's celebrated here is the atypical. Settings feature alien worlds, post-apocalyptic America, and colonial Australia; technologies range from biological weapons of mass destruction to miniature zeppelins powered by faerie magic. With "Gethsemane," Elizabeth Knox takes steampunk to the South Pacific, where a research team's airship allows a handful of survivors to escape when their geothermal experiments provoke a volcanic explosion. M. T. Anderson revisions ancient Rome in "The Oracle Engine," as a prophecy-making machine exacts a terrible revenge on behalf of its inventor. Cory Doctorow's Dickensian "Clockwork Fagin" explores an alternate Victorian London where young waifs are maimed in computing factories rather than mills. In a genre based upon the re-imagining and reinvention of history, these authors manage to take their characters -- and readers -- to bold new frontiers, where, as contributor Dylan Horrocks writes, thanks to the "magic in technology," things are "less drab, less logical, less straightforward. Everything's a little more...possible." katie bircher (c) Copyright 2011. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

*Starred Review* Steampunk is hot right now, as evidenced by the rush of titles featuring goggle-wearing heroines on their covers. Happily, there are gems to be found within the flood, and editors Link and Gavin treat fans, old and new, to an array of fantastically rich stories in this polished, outstanding collection. Skillful organization slots entries by authors less well known to YA readers between those by stars, including Libba Bray and Cory Doctorow, and the result is an anthology that is almost impossible to put down. The gears, goggles, automatons, and dirigibles are all here, but these gifted writers have used the steampunk trappings as a launchpad, leaping into their own unique explorations of what it is to be human in a world influenced by technology. Settings range from Appalachia to a Pacific island to an alternate Wales everything but Victorian London. M. T. Anderson reveals an engineer's cunning revenge in ancient Rome; Delia Sherman explores what happens when a ghost inhabits a machine; Link blends faerie tropes with clockwork tinkerings; and Shawn Cheng and Kathleen Jennings present stories in a comic-style format. From rebellious motorists to girl bandits, the characters in this imaginative collection shine, and there isn't a weak story in the mix; each one offers depth and delight.--Rutan, Lynn Copyright 2010 Booklist

You can't have steampunk without steam (and maybe some gears), but in the hands of a stellar cast of authors, everything else is open to interpretation.Tales range across space and time, from ancient Rome (sort of; M.T. Anderson takes history, adds a few gears and delivers a mind-boggling result) to a Dickensian North America, courtesy of Cory Doctorow, where maimed orphans fight the literal and figurative man; from Wales (Delia Sherman's comedic "The Ghost of Cwmlech Manor") to the melancholy present and a heroine who might be an accidental transplant from an altogether more exciting reality (Dylan Horrock's "Steam Girl"). The collection is carefully organized, frontloaded with bound-to-be- popular selections from Libba Bray (girl power in the Old West) and Cassie Clare (unrequited love, talking dolls and second chances) and then moving into less well-known contributors. A couple of graphic tales mix with literary hard hitters like Elizabeth Knox (a dark, dreamy and tragic look at the nuances of relationships) and co-editor Link (whose "Summer People" riffs on old tales of Faeries and humans). Steampunk is hot at the moment in literature, art and fashion: This collection taps into the ethos without ever seeming topical or transient, thanks to contributions rich with much more than just steam and brass fittings.An excellent collection, full of unexpected delights. (introduction, author biographies) (Anthology. 12 up)]] Copyright Kirkus Reviews, used with permission.