Nobelist Ishiguro returns to familiar dystopian ground with this provocative look at a disturbing near future. Klara is an AF, or "Artificial Friend," of a slightly older model than the current production run; she can't do the perfect acrobatics of the newer B3 line, and she is in constant need of recharging owing to "solar absorption problems," so much so that "after four continuous days of Pollution," she recounts, "I could feel myself weakening." She's uncommonly intelligent, and even as she goes unsold in the store where she's on display, she takes in the details of every human visitor. When a teenager named Josie picks her out, to the dismay of her mother, whose stern gaze "never softened or wavered," Klara has the opportunity to learn a new grammar of portentous meaning: Josie is gravely ill, the Mother deeply depressed by the earlier death of her other daughter. Klara has never been outside, and when the Mother takes her to see a waterfall, Josie being too ill to go along, she asks the Mother about that death, only to be told, "It's not your business to be curious." It becomes clear that Klara is not just an AF; she's being groomed to be a surrogate daughter in the event that Josie, too, dies. Much of Ishiguro's tale is veiled: We're never quite sure why Josie is so ill, the consequence, it seems, of genetic editing, or why the world has become such a grim place. It's clear, though, that it's a future where the rich, as ever, enjoy every privilege and where children are marshaled into forced social interactions where the entertainment is to abuse androids. Working territory familiar to readers of Brian Aldiss--and Carlo Collodi, for that matter--Ishiguro delivers a story, very much of a piece with his Never Let Me Go, that is told in hushed tones, one in which Klara's heart, if she had one, is destined to be broken and artificial humans are revealed to be far better than the real thing. A haunting fable of a lonely, moribund world that is entirely too plausible. Copyright (c) Kirkus Reviews, used with permission.

Nobel Prize winner Ishiguro's eighth novel (after The Buried Giant)--a poignant, ultimately celebratory exploration of what it means to be human--is beautifully realized in narrator Sura Siu's virtuosic performance of Klara, a solar-powered AF (artificial friend) who has been purchased for Josie, a critically ill teenager. Through the narrow frame of Klara's earnest and childlike first-person point of view, a disturbing near-future dystopia is gradually revealed; technology has "lifted" children to exceptional intelligence, but has also "substituted" many adults out of jobs, resulting in a starkly divided society that seems to be teetering on the brink of collapse. With hopes of finding a cure for Josie's mysterious illness, Klara tries to learn all she can from her experiences; in the process, she acquires not just knowledge but also humanity. Ishiguro's precise, deceptively simple prose, coupled with Klara's limited viewpoint, creates a stifling sense of foreboding that Siu wonderfully contrasts with her spirited voices for the novel's often-exasperating human characters. Siu's depictions of Klara, Josie, and Josie's teenage friends will likely resonate with many YA listeners (and their parents). VERDICT This powerful look at the varied and often negative consequences of modern technology underscores the fragility and preciousness of human beings--an all-too-acute awareness in a world coping with a global pandemic and widespread social upheaval.--Beth Farrell, Cleveland State Univ. Law Lib.

With echoes of themes in his internationally lauded Never Let Me Go (2005)--that life can be manufactured, bartered, bought--Booker-ed, Nobel-ed, and knighted Ishiguro presents a bittersweet fable about the human heart as "[s]omething that makes each of us special and individual." Or not. Klara is an AF, as in Artificial Friend. She is also "quite remarkable," "has extraordinary observational ability," and while she might not be the latest B3 model, her empathic skills are unparalleled. She's delightedly chosen by 14-year-old Josie, who takes her home to live with Mother and Melania Housekeeper. Next door is Josie's best friend, Rick, and his single mother. Klara integrates, routines settle. But Josie is ill, with an older sister who died too young. Desperate to save Josie, Mother covertly pushes science, Melania attempts bullish protection, and Rick promises true love. Klara, meanwhile, devises her own plan: a deal with the Sun, who's already, miraculously, rescued Beggar Man and his dog. Sacrifices will be necessary. In Ishiguro's near-future dystopia, Klara--appropriately monikered to suggest both clear and obvious--could prove to be the most human of all.HIGH-DEMAND BACKSTORY: Ishiguro is a big draw and his return to the mode of the mega-popular Never Let Me Go will generate particularly fervent requests.

Nobel laureate Ishiguro takes readers to a vaguely futuristic, technologically advanced setting reminiscent of his Never Let Me Go for a surprising parable about love, humanity, and science. Klara is an Artificial Friend (AF), a humanlike robot designed to be a child's companion. She spends her days watching humans from her perch in the AF store, fascinated by their emotions and hungry to learn enough to help her future owner. Klara, who is solar-powered, reveres the sun for the "nourishment" and upholds "him" as a godlike figure. Klara is eventually bought by teenager Josie and continues to learn about humans through her interactions with Josie's family and childhood friend. When Josie becomes seriously ill, Klara pleads with the sun to make her well again and confronts the boundary between service and sacrifice. While the climax lends a touch of fantasy, Klara's relationship with the sun, which is hidden at times by smog, touches on the consequences of environmental destruction. As with Ishiguro's other works, the rich inner reflections of his protagonists offer big takeaways, and Klara's quiet but astute observations of human nature land with profound gravity ("There was something very special, but it wasn't inside Josie. It was inside those who loved her," Klara says). This dazzling genre-bending work is a delight. (Mar.)