With a color scheme featuring bright pink, teal blue, lemon yellow, and pops of orange, this attention-grabbing informational book starts with a bang: a rapid-fire tour of all things sound. Chock-full of whimsical infographics created with digital tools and traditional print-making processes, Romanyshyn and Lesiv's artfully arranged pages introduce the anatomy of an ear; various musical instruments (even a theremin!); human singing voice types; and the sounds of a human body, a house, a city, nature, and animals. Other spreads describe decibels and hertz (the greater wax moth has the sharpest hearing), recording and playback devices, jobs that involve audio work, and different human languages, including sign language. Then, after a few images depict breakdowns in human communication, there's a surprising tonal shift. The book's tour guide -- a man toting a phonograph to collect sounds throughout the book -- takes a break: "Sometimes, we need to spend time in silence." An umbrella (handed to him by a hearing-impaired woman) shields him from a torrent of onomatopoeic words raining down in overlapping vertical lines. With a page-turn, the deluge of visual graphics subsides, and a love story unfolds, told mainly through minimalist illustrations surrounded by generous white space. It's a transcendent ending -- a quiet meditation on hearing, listening, silence, communication, and understanding. Appended is a list of sounds "worth listening to," with websites including an interactive world sound map and a Big Bang simulation. Tanya D. Auger November/December 2020 p.131(c) Copyright 2020. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

A visual survey of the aural world, originally published in Ukraine. Despite the ostensible topic, it's the art and page design that occupy center stage in this large-format showcase. Done by and large in montages with much use of hot and Day-Glo hues, each eye-catching scene features a mix of flat or minimally modeled images of musical instruments and other sound producers, animal or human silhouettes, and graphic representations of sonic waves, lines, bursts, or blasts. Following a hard-to-parse observation that sound "attracts our attention, we listen for it--and then, we hear it" with a diagram of a human ear, double-page spreads arranged in no obvious order tally, for example, types of sound from natural to body noises, kinds of human singing voices and recording formats, how sound is measured, music-related jobs, spoken language and sign language. Most of the captions are printed in a lightweight, low-contrast typeface only a bit darker than the backgrounds, and some seem to have been arbitrarily swept to the backmatter, replaced by asterisks. After a thunderous rainfall evoked by solid, polychrome lines of streaming onomatopoeia, the volume is switched to low with a "mute sound" icon on an empty spread that leads to closing scenes of a couple embracing, a pregnant mother, and a young child toddling out "to listen, to hear, and to perceive our world." Jazzy, loud illustrations command--and merit--attention but can't hide a higgledy-piggledy presentation. (Informational picture book. 7-10) Copyright (c) Kirkus Reviews, used with permission.

This illustrated nonfiction primer presents a compelling foray into the many aspects of sound and how it shapes the world. In often poetic language, the married team defines sound and then differentiates between music and noise. Aided by intricate digital infographics done in muted pink, teal, and yellow, the narrative surveys topics including volume, language, and deafness, aptly accompanied by a full spread illustration of the one-handed manual alphabet used in Latinate finger spelling such as American Sign Language. Though the scientific doesn't always cohere with moments of philosophical lyricism ("Sometimes it is hard for us to understand/ one another, and then we feel lonely") and the scope of information makes this unwieldy as a leisure read, budding acousticians will find it a worthy resource. Ages 8--12. (Oct.)