In mid-1970s urban India-a chaos of wretchedness on the streets and slogans in the offices-a chain of circumstances tosses four varied individuals together in one small flat. Stubbornly independent Dina, widowed early, takes in Maneck, the college-aged son of a more prosperous childhood friend and, more reluctantly, Ishvar and Om, uncle and nephew tailors fleeing low-caste origins and astonishing hardships. The reader first learns the characters' separate, compelling histories of brief joys and abiding sorrows, then watches as barriers of class, suspicion, and politeness are gradually dissolved. Even more affecting than Mistry's depictions of squalor and grotesque injustice is his study of friendships emerging unexpectedly, naturally. The novel's coda is cruel and heart-wrenching but deeply honest. This unforgettable book from the author of Such a Long Journey (LJ 4/15/91) is highly recommended.-Janet Ingraham, Worthington P.L., Ohio (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

A worthy successor to Mistry's award-winning Such a Long Journey, this wonderful, baggy, Dickensian narrative follows the fortunes of an independent widow, a college student, and two impoverished tailors who share a crowded apartment. The novel includes a large cast of memorable characters, whose stories range from brutal caste struggles in small villages to homelessness in flimsy shacks surrounding the sprawling city teeming with pavement dwellers, beggars, rent collectors, con men, and corrupt police. The novel's world is often cruel and unfeeling, but the characters struggle on, trying to achieve lives of dignity and meaning. Valmik (proofreader and sometime flack for a bogus guru) provides the novel's title: "The secret of life was to balance hope and despair." The Vishram Vegetarian Hotel cook tells the tailors, "You fellows are amazing.... Each time you come here you have a new adventure story." "It's not us; it's this city," replies the tailor, "a story factory, that's what it is, a spinning mill." Mistry's humorous and compassionate tangle of tales and characters is a story factory, too. And we listen spellbound to a master story spinner at work. D. R. Stoddard Anne Arundel Community College

From the Toronto-based Mistry (Such a Long Journey, 1991), a splendid tale of contemporary India that, in chronicling the sufferings of outcasts and innocents trying to survive in the ``State of Internal Emergency'' of the 1970s, grapples with the great question of how to live in the face of death and despair. Though Mistry is too fine a writer to indulge in polemics, this second novel is also a quietly passionate indictment of a corrupt and ineluctably cruel society. India under Indira Gandhi has become a country ruled by thugs who maim and kill for money and power. The four protagonists (all victims of the times) are: Dina, 40-ish, poor and widowed after only three years of marriage; Maneck, the son of an old school friend of Dina's; and two tailors, Ishvar and his nephew Om, members of the Untouchable caste. For a few months, this unlikely quartet share a tranquil happiness in a nameless city--a city of squalid streets teeming with beggars, where politicians, in the name of progress, abuse the poor and the powerless. Dina, whose dreams of attending college ended when her father died, is now trying to support herself with seamstress work; Maneck, a tenderhearted boy, has been sent to college because the family business is failing; and the two tailors find work with Dina. Though the four survive encounters with various thugs and are saved from disaster by a quirky character known as the Beggarmaster, the times are not propitious for happiness. On a visit back home, Om and Ishvar are forcibly sterilized; Maneck, devastated by the murder of an activist classmate, goes abroad. But Dina and the tailors, who have learned ``to maintain a fine balance between hope and despair,'' keep going. A sweeping story, in a thoroughly Indian setting, that combines Dickens's vivid sympathy for the poor with Solzhenitsyn's controlled outrage, celebrating both the resilience of the human spirit and the searing heartbreak of failed dreams.

The setting of Mistry's quietly magnificent second novel (after the acclaimed Such a Long Journey) is India in 1975-76, when Prime Minister Indira Gandhi, defying a court order calling for her resignation, declares a state of emergency and imprisons the parliamentary opposition as well as thousands of students, teachers, trade unionists and journalists. These events, along with the government's forced sterilization campaign, serve as backdrop for an intricate tale of four ordinary people struggling to survive. Naïve college student Maneck Kohlah, whose parents' general store is failing, rents a room in the house of Dina Dalal, a 40-ish widowed seamstress. Dina acquires two additional boarders: hapless but enterprising itinerant tailor Ishvar Darji and his nephew Omprakash, whose father, a village untouchable, was murdered as punishment for crossing caste boundaries. With great empathy and wit, the Bombay-born, Toronto-based Mistry evokes the daily heroism of India's working poor, who must cope with corruption, social anarchy and bureaucratic absurdities. Though the sprawling, chatty narrative risks becoming as unwieldy as the lives it so vibrantly depicts, Mistry combines an openness to India's infinite sensory detail with a Dickensian rendering of the effects of poverty, caste, envy, superstition,corruption and bigotry. His vast, wonderfully precise canvas poses, but cannot answer, the riddle of how to transform a corrupt, ailing society into a healthy one. (Apr.) (c) Copyright PWxyz, LLC. All rights reserved