This contemporary chronicle spools around Abby and Red Whitshank, then looping back to Red's parents and forward to a third generation and their young broods. The family seat is a Baltimore home lovingly built for a wealthy client by Red's father, who eventually claims it for himself by unnerving the original owners. The cunning builder describes his masterwork as "simple but impeccably built," itself an apt characterization of Pulitzer Prize winner Tyler's (The Accidental Tourist) writing. Baltimore families are Tyler's trademark, and she renders mundane activities and conversations into a bittersweet tableau of love, family ties, and heartache. Kimberly Farr's performance lets the story shine. VERDICT Tyler's latest novel will leave her fans and other listeners of contemporary fiction awed and satisfied. ["It's been half a century since Tyler debuted [and] she continues to dazzle with this multigenerational saga, which glides back and forth in time with humor and heart and a pragmatic wisdom that comforts and instructs": LJ 2/1/15 starred review of the Knopf hc.]-Judith Robinson, Dept. of Lib. & Information Studies, Univ. at Buffalo © Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

CORRUPTION IN AMERICA: From Benjamin Franklin's Snuff Box to Citizens United, by Zephyr Teachout. (Harvard University, $18.95.) The founding fathers were deeply concerned with the threat corruption posed to their emergent government. Teachout, a Fordham law professor, powerfully argues that their commitment to safeguarding against it has been undermined by the Supreme Court since at least the 1970s - especially in the realm of corporations' financial contributions to politics. I REFUSE, by Per Petterson. Translated by Don Bartlett. (Graywolf, $16.) The two men at the heart of this story, Tommy and Jim, rediscover each other after decades apart, and marvel at the divergent paths their lives took. Petterson, the Norwegian novelist who wrote "Out Stealing Horses," examines the forces that pulled "the boys in different directions, the small quiet moments that forged their friendship and then pulled it apart," Harriet Lane wrote here. BARBARIAN DAYS: A Surfing Life, by William Finnegan. (Penguin, $17.) Finnegan, a staff writer for The New Yorker and the winner of this year's Pulitzer Prize for autobiography, recalls his shifting relationship to the sport: As an adolescent, he found in surfing a respite from the petty cruelties of middle school in Hawaii; later, it led him to join hordes of young surfers across the world in search of the ideal wave. THE INCARNATIONS, by Susan Barker. (Touchstone, $16.) In the taxi he drives in contemporary Beijing, Wang Jun finds a series of mysterious letters - signed by writers who claim to be his soul mate - that link him to five key episodes across 1,500 years of Chinese history. Barker's wildly inventive novel reveals Wang's previous roles, in the form of his earlier lives, in each of those moments from his country's past. THE BROTHERS: The Road to an American Tragedy, by Masha Gessen. (Riverhead, $16.) From their childhoods in Central Asia and Russia to their early days in the United States, Gessen pieces together the lives of Tamerlan and Dzhokhar Tsarnaev, the two Chechen immigrants responsible for the Boston Marathon bombing in April 2013. A SPOOL OF BLUE THREAD, by Anne Tyler. (Ballantine, $16.) Tyler's novel chronicles the multigenerational Whitshanks, who remain anchored to their family home in Baltimore, and the celebrations, secrets and joys that stitch them together. "Tyler has a knack for turning sitcom situations into something far deeper and more moving," our reviewer, Rebecca Pepper Sinkler, wrote. LISTENING TO STONE: The Art and Life of Isamu Noguchi, by Hayden Herrera. (Farrar, Straus & Giroux, $25.) This illuminating biography of the sculptor (1904-88) traces his early influences - as the son of a distant Japanese father and mercurial American mother, Noguchi rarely felt at home, and was shaped by his diverse travels. Herrera's account is a fitting companion guide to the artist who "sought and found, by making sculpture, a way to embed himself in the earth, in nature, in the world."