This evocative, incisive tale from Man Booker--winner Enright (The Gathering) turns a gimlet eye on the complicated relationship between a famous mother and her only daughter. Actor Katherine O'Dell is known throughout Ireland in the 1970s and '80s; she is also a loving--if distracted and sometimes absent--single mother to Norah, who's often left in the care of her nanny. Norah, who narrates, recounts mainly through flashback Katherine's star rising from humble beginnings in a traveling Irish theater troupe to her peak in Hollywood, where she increasingly struggles with alcoholism and depression. As Katherine enters her 50s, it largely falls to Norah to care for her mother, but when Katherine is committed to a mental hospital after shooting a movie producer in the foot, Norah finds professional help to care for her mother, as Norah marries, has children, and pursues her writing career. Enright portrays her characters with tenderness and grace ("It took me no time to adjust after she came home from hospital. And I don't know what I loved, as I tended her fragile bones, but I thought I loved my mother. Because she was always the same person for me"), depicting a fraught mother-daughter relationship without cliché or condescension. Enright's fans will love this sharp, moving work. (Mar.)

Norah recalls the behind-the-fame life of her mother, the mesmerizing star of the stage in Dublin, Broadway, and London, and of the silver screen in Hollywood, Katherine O'Dell. A quarter century after her mother's death, 59-year-old Norah, a fatherless child, is ready to look back, hoping, at last, to understand her mother and herself. The iconic glamour, the sordid truth--the drinking, smoking, drugs, and plagues of insecurity--and the crushing physical and mental toll exacted by her mother's alchemical talent are all here. Enright's indelible images of the primal love between mother and daughter that ebbs, flows, and ultimately abides will stick with readers. Not knowing who her father is, which is her mother's greatest secret, leads a twentysomething Norah to a devastating choice. Chillingly, she discovers a mirrored experience in a long-forgotten diary that contains her mother's distraught account of an assault--the day Norah was conceived--and the sustenance she found in faith. Enright (The Green Road, 2015) portrays her characters in precise, vivid detail and composes their interior architecture with inspired insight into all of humanity. In this powerfully poetic, psychologically and philosophically astute, and ultimately uplifting novel, the difficulty of truly knowing someone, even your own self, given the tricks of remembering and misremembering, is a dominant theme. The ups and downs of the artist's life, the dynamic between those who create and those who can't, the cost of fame, and the timely topic of how two generations of women confront, in different ways, the imperious power of men add to the depth and brilliance of this artful work.

A daughter reveals the intertwined tales of her mothera theatrical legendand herself, a mature retrospective of sharing life with a towering but troubled figure.Katherine O'Dell, star of stage and screen, blessed with beauty, red hair, and a gorgeous voice, "the most Irish actress in the world," was not Irish at all. She was born in London, and the apostrophe in her name crept in by error via a review following one of her appearances on Broadway. However, the fact that Katherine is "a great fake" doesn't cloud the love her daughter, Norah, has for her, a bond which exists alongside the unanswered question of Norah's father's identity, "the ghost in my blood." The complexities of this mother/daughter relationship and its context in Ireland, the men it includes, and the turns both women's lives take through the decades are the meat of this tender, possessive, searching new novel from Man Booker Prize-winning Irish novelist Enright (The Green Road, 2015, etc.). Saga-esque, it traces Katherine back to her parents, strolling players from another era who invited her on stage at age 10, scarcely imagining the luminous, internationally recognized figure this "useful girl" would become. But the novel is no fairy tale. Katherine's life was marked with loneliness; disappointing, sometimes exploitative, and abusive men; the pressure of trying to remain successful; a desperate act of violence; and a breakdown. Norah narrates both her mother's life and her ownshe's the author of five novels, a mother, a sexual being, and also the sole offspring of a parent she both adored and observed at a distance. Fame, sexuality, and the Irish influence suffuse the story, which ranges from glamour to tragedy, a portrait of "anguish, madness, and sorrow" haunted by a late, explanatory glimpse of horror which nevertheless concludes in a place of profound love and peace.Another triumph for Enright: a confluence of lyrical prose, immediacy, warmth, and emotional insight. Copyright Kirkus Reviews, used with permission.