The miracle referred to in the title was of course the birth of the five identical Dionne sisters in Ontario in 1934, the first time quintuplets were known to survive. The tragedy is pretty much everything else about their story, with the baby girls taken from their parents to be raised in a custom-built hospital led by the dedicatedand controllingDr. Dafoe. The babies parents had to ring a bell at the gate and wait for the guard to let them inside. As much expos as biography, Millers book is a propulsive account of what life in that hospital was like for the girls, who lived there until they were nine years old, receiving necessary treatment for their initial fragility, certainly, but also serving as both a science experiment and as a tourist attraction, with thousands of visitors lining up daily for a chance to observe the quints at play. Their eventual repatriation to the family was a decidedly mixed affair, as the girls had become used to their own society and were not welcomed by their other siblings. They were also, as alleged by three of the sisters fifty years later, sexually abused by their father. To her credit, Miller avoids a sensationalizing tone, allowing the facts to speak for themselves. International media darlings during the Great Depression, the Dionne sisters are virtually unknown to todays young people, but Millers intense focus on what the girls were going through makes their story timeless. Readers may start this account for the horror but finish with sympathy. Substantial back matter includes a lengthy references section, thorough source notes, and an index. roger Sutton September/October 2019 p.115(c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Beginning two days after their premature birth in rural Ontario on May 28, 1934, "the lives of the Dionne quintuplets were inextricably bound with the press," asserts Miller (Caroline: Little House, Revisited), whose headline-style chapter titles reinforce that point in this compelling account. Together, the five babies weighed only 13 pounds, 6 ounces, and their desperate parents, Oliva and Elzire Dionne, traded privacy for critical necessities: breast milk and incubators. Those rushing to provide support simultaneously saved the quintuplets' lives and wreaked emotional havoc upon the family. Miller details the efforts of Dr. Dafoe, the local medical practitioner; the nurses he chose to keep the infants alive; Dr. Blatz, who attended to the sisters' emotional and mental development; and the government of Ontario, which tried to protect the family from being exploited by unscrupulous Americans seeking to profit from the story. The Dionne parents' rights to raise their children were continually overruled, and the physical separation of the quintuplets from the rest of their family until age nine produced lifelong emotional dysfunction. Miller presents multiple viewpoints with sensitivity, enmeshing the reader in the Dionnes' lives so successfully that it is impossible not to feel the tragedy of the quintuplets' lives. Black-and-white family photos and notes further expand this eye-opening, thoroughly researched title. Ages 12--up. (Aug.)

In 1934, a set of quintuplets were born to Oliva and Elzire Dionne. Miraculously, the five tiny babies lived until that point, no other quintuplets had survived after birth. The Dionne Quintuplets were such a medical oddity that they soon became the center of a media frenzy and, unsurprisingly, deep controversy. Miller (The Borden Murders, 2016) offers another impeccably researched look into a cultural phenomenon, digging into the heart of a story surrounded by rumor and exaggeration. Relying on first-person accounts, journals, and transcripts, she uses direct quotes to great effect when describing the quintuplets, their parents' struggle to retain any sort of authority over their care, the country doctor who insisted on government oversight of their livelihood, the many child-rearing experts who shaped the five young girls' isolated environment, and, of course, the quintuplets themselves, who were raised apart from their family in the public eye. In many ways, this is a terribly sad story, but Miller resists sensationalizing, often emphasizing the necessity of sifting through exaggerated journal entries and reporting to find a kernel of the truth. Miller raises plenty of questions about child celebrity, government accountability, and journalistic integrity, and while some remain unanswered, there's still plenty to ponder in this thorough, fascinating deep dive into the lives of five girls who captured the attention of millions. Photographs and extensive source notes round out this stellar work of nonfiction.--Sarah Hunter Copyright 2019 Booklist

The true story of the Dionne quintupletsthe first quintuplets to survive infancy.On May 28, 1934, five identical girls were born to Elzire and Oliva Dionne in an Ontario farmhouse that lacked central heating, running water, or electricity. The combined weight of all five at birth was just 13 pounds, 6 ounces, and their struggle to survive (as copiously reported by the press, which rapidly descended on the farmhouse) captured people's hearts in the midst of the Great Depression. Overwhelmed by publicity and in legal trouble from an ill-considered contract to display the quintuplets at the Chicago World's Fair, Elzire and Oliva turned custody of the girls over to the Red Cross, which built a hospital/nursery for them. Instead of shielding the quintuplets from exploitation (one of the reasons put forward for custody), the Red Cross instead displayed them to the thousands of visitors a day who arrived, visitors who could also buy souvenirs at several shopstwo owned by Oliva. Miller (Caroline, 2017, etc.) tells the story chronologically with a succinct perceptiveness that is riveting in its detailing of well-meaning intentions turning to exploitation, and her inclusion of dialoguedrawn from contemporary materialsand photographs delivers a fresh feel. Notably, she individualizes the girls by always referring to them by name rather than lumping them together.An altogether fresh, perceptive, well-written chronicle of this cautionary tale. (afterword, note on dialogue, references, notes, index) (Nonfiction. 12-18) Copyright Kirkus Reviews, used with permission.