Exit stage left : the Snagglepuss chronicles
It's 1953. While the United States is locked in a nuclear arms race with the Soviet Union, the gay Southern playwright known as Snagglepuss is the toast of Broadway. But success has made him a target. As he plans for his next hit play, Snagglepuss becomes the focus of the House Committee on Un-American Activities. And when powerful forces align to purge show business of its most subversive voices, no one is safe! Written by Mark Russell, the critically acclaimed mastermind behind the award-winning Prez Vol. 1 and The Flintstones, Exit Stage Left: The Snagglepuss Chronicles enters the Hanna-Barbera reimagined universe!
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- ISBN: 9781401275211
- Physical Description 1 volume (unpaged) : chiefly color illustrations ; 26 cm
- Publisher [Place of publication not identified] : [publisher not identified], 2018.
Content descriptions
General Note: | "Originally published in single magazine form in EXIT STAGE LEFT: THE SNAGGLEPUSS CHRONICLES 1-6, SUICIDE SQUAD/BANANA SPLITS SPECIAL 1." |
Additional Information
Library Journal Review
Exit Stage Left: the Snagglepuss Chronicles
Library Journal
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Having proven himself an incisive satirist of modern American culture and values with his reimagining of The Flintstones, author Russell now turns his attention to a different classic Hanna-Barbera cartoon character, casting Snagglepuss as a phenomenally successful Broadway playwright reminiscent of Tennessee Williams. The year is 1953, and Snagglepuss is on the verge of opening his hotly anticipated new play when he's summoned to testify before the House Un-American Activities Committee. Refusing to name names, the playwright finds himself with powerful enemies bent on his destruction, especially after they discover that he's secretly gay. VERDICT This is a battle for the very soul of America. While the setup might sound slightly preposterous, the result is one of the best books of the year, an alternately hysterically funny, deeply tragic, and ultimately inspiring work of political art examining the role of artists in a free society.-TB © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.