A death in Vienna
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- ISBN: 0802118151
- ISBN: 9780802118158
- Physical Description 458 pages : map
- Edition 1st U.S. ed.
- Publisher New York : Grove/Atlantic, [2005]
- Copyright ©2005
Content descriptions
General Note: | "Grove Press." |
Immediate Source of Acquisition Note: | LSC 32.34 |
Additional Information
Kirkus Review
A Death in Vienna
Kirkus Reviews
Copyright (c) Kirkus Reviews, used with permission.
Misdirection is the name of the game in this intricate thriller (published in England as Mortal Mischief), the work of a practicing London psychologist. Its sleuth is himself a psychotherapist: Max Liebermann, disciple and acquaintance of controversial new eminence Sigmund Freud (who shows up occasionally to dispense wisdom and bad Jewish jokes), and close friend of sturdy, if unimaginative police inspector Oskar Rheinhardt--who plays the workmanlike Watson to Liebermann's quick-witted Holmes. Two mysteries attract Max's attention: the fatal shooting of beautiful spiritualist Charlotte Löwenstein, whose body is discovered in a locked room (where no bullet is found), and the hysterical paralysis that possesses Amelia Lydgate, a handsome young woman who languishes under the regimen of electrotherapy demanded by Max's dictatorial superior, but improves markedly when Max seeks the emotional cause of her affliction. Tallis charts the course of the Löwenstein investigation with considerable ingenuity and in generous detail, providing a rich surfeit of information about the several prime suspects, all clients who had regularly attended the deceased's celebrated séances. These include handsome young stage magician (and cad) Otto Braun, the late Charlotte's lover and probably criminal accomplice; wealthy banker Heinrich Hölderlin and his breathless wife Juno; romantically hopeful, hopelessly ingenuous seamstress Natalie Heck; suspiciously neurotic locksmith Karl Uberhorst; no-account Hungarian playboy Count Zoltán Záborszky; politically ambitious businessman Hans Brückmuller--oh, and nearly every other denizen of early-20th-century Viennese café society. A second murder and a séance arranged for investigative purposes by the diligent Oskar follow, and a Hitchcockian climax high atop downtown Vienna makes excellent use of revivified Amelia's talents and confirms Max's Freud-inspired theories. A graceful final paragraph completes the elegant circle that this long, complex tale has so deftly described. Immensely entertaining, and very clever indeed. Copyright ©Kirkus Reviews, used with permission.
Publishers Weekly Review
A Death in Vienna
Publishers Weekly
(c) Copyright PWxyz, LLC. All rights reserved
British author Tallis (Love Sick) sets his intelligent murder mystery in the stormy, atmospheric Austrian capital at the turn of the 20th century. Psychoanalyst Max Lieberman, a contemporary of Freud's, takes time out of his busy schedule treating hysterics to help his friend Det. Oskar Rheinhardt solve the perplexing case of a beautiful medium found dead in a locked room on the day of her weekly seance. She's left a suicide note and died of a gunshot to the heart, but there's no weapon or bullet in her body. Rheinhardt is certain she's been murdered, and as he interviews each of her clients, he uncovers a number of potential suspects with motive enough for murder-but without the know-how to accomplish this impossible deed. Midway through the investigation, one of the medium's clients is bludgeoned to death in his sleep-also inside a locked room. Despite Rheinhardt's superior sleuthing and Lieberman's keen observational and analytical abilities, the murderer and the key to his modus operandi elude them until help comes from an unlikely source. Tallis convincingly animates Lieberman and Rheinhardt in a picturesque Vienna roiling with cultural and intellectual change. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved
BookList Review
A Death in Vienna
Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Too many characters crowd this otherwise clever whodunit set in turn-of-the-century Vienna. The circumstances of medium Charlotte Lowenstein's murder befuddle Detective Oskar Rheinhardt from the start: her body is found in a room locked from the inside. She has been shot, but there's evidence of neither a bullet nor a gun. Rheinhardt decides to consult his longtime friend, psychoanalyst Max Liebermann. Although all signs point to a supernatural killer, Liebermann, who puts a premium on hypnosis, dreams, and accidental utterances (Freudian slips), isn't so sure. He interviews members of Fraulein Lowenstein's seance circle, some of whom seemed more drawn to her beauty than her credentials in the occult. Among them: a nervous banker, a neurotic locksmith, an unkempt count, and a lustful stage magician who fled the city shortly after the crime. Tallis is a clinical psychologist and an expert on obsessive behavior, and his third novel is worth reading, not so much for the story as for the atmospheric renderings of the Viennese cafe scene (including many mouth-watering mentions of pastry) and for cameo appearances by Mahler and Freud. --Allison Block Copyright 2005 Booklist
Library Journal Review
A Death in Vienna
Library Journal
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
In fin-de-siecle Vienna, psychiatrist Max Lieberman appreciates the work of his colleague, Dr. Freud, and eagerly applies his techniques when asked by friend and inspector Oskar Rheinhardt to investigate the murder of a beautiful medium, found shot to death in her locked s?ance room. But no gun or bullet is found. Is it a demonic event, or did one of the other attendees at the s?ance manage it somehow? British psychologist Tallis deftly brings to life a city of contrasts, caught between polite manners and virulent anti-Semitism. This first volume in a new historical series should appeal to Sherlock Holmes fans as well as those of John Dixon Carr's locked-room puzzlers. Tallis lives in London. [See Prepub Mystery, LJ 11/1/05; Tallis has recently been shortlisted for Britain's Crime Writers Association's Ellis Peters Historical Dagger Award.-Ed.] (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.